Victor SEGALEN (1878-1919): CHAR EMPORTÉ
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National History, Volumn 1, Issue 9, 2008
DOI_Journal: 10.3128/nh2008
DOI_Issue: 10.3128/nh200809
DOI_Article: 10.3128/nh20080903a1
Scidea Article No: nh20080903a1
Scidea Publishing. Nanjing, Hongkong, CHINA
Citation of this article
Editor's Notes, National History 2008
Lin PU. Victor SEGALEN (1878-1919): CHAR EMPORTÉ. National History, 1 (9), nh20080903a1 (2008). DOI: 10.3128/nh20080903a1
Links: Scidea.Abs｜Scidea.Full｜CrossRef
* Editor Notes (Main text is published in Chinese). "Enfin, Pékin, ma ville", devait-il écrire dans sa première lettre de la capitale. --Notation par Bertrand Gallimard-Flavigny.
2008
【第01期目錄】□【第02期目錄】□【第03期目錄】□【第04期目錄】□【第05期目錄】□
【第06期目錄】□【第07期目錄】□【第08期目錄】□【第09期目錄】□【第10期目錄】□
本文索引
濮林。維克多·謝閣蘭：思無疆，思馬斯臧。國家歷史，1（9），nh20080903a1 (2008)。
DOI: 10.3128/nh20080903a1｜Scidea.摘要｜Scidea.全文｜CrossRef 數據庫
主編筆記國家歷史2008年第09期（nh200809）DOI: 10.3128/nh20080903a1
Victor Segalen (né le 14 janvier 1878 à Brest - mort au Huelgoat le 21 mai 1919).
濮林
維克多•謝閣蘭：思無疆，思馬斯臧……
PU Lin
"Enfin, Pékin, ma ville", devait-il écrire dans sa première lettre de la capitale.
"Anyway, Pékin, my city", he had written in his first letter from the capital.
"總之，北京，我的城市", ...--Tr. par Lin PU (en. cn) .
Victor Segalen (1878-1919).
Copyright © Roger-Viollet | www.roger-viollet.fr
Image source: Hervé Bienvault - Paris/ Nantes, France. Email: hervebienvault@yahoo.fr
The blog of Aldus-depuis 2006 at www.typepad.fr | aldus2006.typepad.fr
Reproduction: National History 2008. www.ScideaNews.com
1.
維克多·謝閣蘭（Victor SEGALEN，1878 – 1919）［1］，1878年1月14日生于法國布雷斯特（Brest），醫生、詩人、作家、學者。他還可以被稱為考古學家，攝影家、藝術理論家、語言學家、文學評論家、漢學家等等［2］。1902年，畢業于波爾多海軍衛校（École de Santé Navale de Bordeaux），獲得醫學博士學位［3］。現在波爾多第二大學（Université de Bordeaux II）以他的名字命名［4］。1919年5月21日，他於居所附近的郁勒郭森林（Huelgoat）意外辭世，原因未明［5］。
謝閣蘭以他對中國的考察記錄［6］、并由此而寫作散文詩集 Stèles（古今碑錄）而聞名［7,8］。他去世后，他的中國之行的有關筆記陸續出版［9］。1979年，法國發行了謝閣蘭誕辰一百周年紀念郵票［10］。
法國積美博物館（Musée Guimet）在簡介謝閣蘭時說［11］：『1909年他動身去“我的首都”北京，居住四年多後，1914年因一次大戰爆發返法。……謝閣蘭在這次與愛德華·沙畹（Édouard CHAVANNES, 1865 – 1918年）合作的考察中［12］除留下筆記外，還有速描和一些大型雕塑的照片［13］，透過他在光線和取景顯出的天賦，使其成為中華帝國末世中最具才華的攝影家。中國在他的眼裡變成：“和諧差異之典範，世界多樣化之縮影”』。
我不確知謝閣蘭何時說的『“我的首都”北京』［11］，是1909年吧［14］？但是因為 Timothy Billings 和 Christopher Bush 的注釋［7］，我能揣測他心中的中國并得以沉思與他的沉思——“思無疆，思馬斯臧”……［15］
詩經：魯頌［16］
駉
史克
原始文本來源：毛詩。
校注文本來源：十三經注疏之毛詩正義，阮元（校刻），清嘉慶二十年至二十一年。阮元校刻所依據的原始版本為“宋本十三經注疏”。本文參校的是該書中華書局（北京）1980年版。
這一經典古籍的索引格式如下：
十三經注疏。毛詩正義。附釋音毛詩注疏卷第二十〔二十之一〕。駉之什詁訓傳第二十九，毛詩魯頌。〔漢〕毛亨（傳），〔漢〕鄭玄（箋），〔唐〕孔穎達（疏）。〔清〕阮元（校刻），清嘉慶二十年至二十一年。
毛詩正義
附釋音毛詩注疏卷第二十〔二十之一〕
駉之什詁訓傳第二十九
毛詩魯頌 鄭氏笺 孔穎達疏
魯頌譜
駉。頌僖公也。僖公能遵伯禽之法。儉以足用。寬以愛民。務農重榖。牧于坰野。魯人尊之。於是季孫行父請命于周。而史克作是頌。
駉駉牡馬，在坰之野。薄言駉者？有驈有皇，有驪有黃，以車彭彭。思無疆，思馬斯臧！
駉駉牡馬，在坰之野。薄言駉者？有騅有駓，有騂有騏，以車伾伾。思無期，思馬斯才！
駉駉牡馬，在坰之野。薄言駉者？有驒有駱，有駵有雒，以車繹繹。思無斁，思馬斯作！
駉駉牡馬，在坰之野。薄言駉者？有駰有騢，有驔有魚，以車祛祛。思無邪，思馬斯徂！
2.
謝閣蘭詩集【Stèles（古今碑錄）】第63首詩是“CHAR EMPORTÉ 駧駧牡馬在垌之野”。注意他在這一首詩的標題引語中使用的詩經文本是“駧駧牡馬在垌之野”而非“駉駉牡馬在坰之野”［15, 16］！謝格蘭大約一定讀過理雅格（James LEGGE）的【詩經】譯本。而理雅格的翻譯藍本和我們今天所推崇的【詩經】經典文本是一致的，那就是阮元依據宋本重新校刻的【十三經注疏：毛詩正義】——“駉駉牡馬在坰之野……”
駧：dòng，【玉篇】馬疾走。【說文】馳馬洞去也。又動也。
駉：jiōng，【玉篇】與駫同，馬肥壯盛貌。
一字之差，詩意何其迥然！
……也許，謝格蘭看過這一張敦煌碎片（伯希和敦煌寫卷第3737號）［17,18］。
理雅格是不能對這一文本重新翻譯了，很遺憾。不過今后再版的【詩經】可以改正。再版的【康熙字典】、【辭海】也要修正所有引用了“駉駉牡馬在坰之野”的詞條。
Paul PELLIOT (1878 - 1945). La mission Paul PELLIOT en Touen-houang, Chine (1906 - 1909). Pelliot chinois Touen-houang 3737--SHE KING (THE BOOK OF POETRY): The Praise-Odes of LOO : Tung. Bibliothèque nationale de France.
伯希和敦煌寫卷第3737號
Pelliot chinois 3737, BNF
伯希和 敦煌寫卷第3737號 文本釋文
駧之什詁訓傳第廿九 毛詩魯頌 鄭氏箋
█。頌僖公也。僖公能遵伯禽之法。儉以足用。寬以愛民。務農重榖。牧乎垌野。魯人尊之。於是季行父請乎周。而史克作是頌也。
駧駧牧馬。在垌之野。薄言駧者。有驈有皇。有█有黃。以車彭彭。思無█。██斯臧。
駧駧牧馬。在垌之野。薄言駧█。████。███騏。以車伾伾。思無期。思馬斯才。
駧███。█垌之野。薄言駧者。有騨有駱。有███。以車繹繹。思無斁。思馬斯作。
駧駧牧馬。在垌之█。薄言駧者。有駰有█。有驔有魚。以車祛█。█無耶。思馬斯徂。
駧四章章八句
濮林，國家歷史主編，現居南京。
Lin PU, Editor-in-chief with National History. Now he is living in Nanjing.
Email: Editor@ScideaNews.com
文獻與注釋
References and Notes
01.
法國國防部保存的維克多·謝閣蘭的生平記錄卡。
關鍵詞：維克多·謝閣蘭 | 生平記錄卡 | SGA/Mémoire des hommes | 法國國防部
Biographical records of Victor Segalen.
Victor-Joseph-Ambroise-Désiré Ségalen
né le 14 janvier 1878 à Brest – mort au Huelgoat le 21 mai 1919.
Keywords: Victor Segalen | Biographical records | SGA/Mémoire des hommes | Ministère de la Défense, France
Ministère de la Défense, France
www.defense.gouv.fr
SGA/Mémoire des hommes
www.memoiredeshommes.sga.defense.gouv.fr
Citation
Biographical records of Victor Segalen. SGA/Mémoire des hommes. Ministère de la Défense, France. | Image
© Tous droits réservés Ministère de la Défense, France
Backgrounds
[Présentation: FR] Mémoire des hommes est destiné à mettre à la disposition du public des bases de données réalisées à partir de la numérisation et de l'indexation de fiches biographiques conservées par le ministère de la Défense. Il a également pour vocation d'honorer la mémoire de celles et ceux qui ont participé ou donné leur vie au cours des conflits de l'époque contemporaine.
[Presentation: EN] This website gives the public access to databases created from the digitalization and indexation of biographical records preserved in the services of the ministry of defence. It also aims to honour the memory of those who took part in contemporary wars and sometimes gave their lives for their country.
02.
1912年，維克多·謝閣蘭的散文詩集【Stèles 古今碑錄】經由北京北堂天主教堂出版發行。
關鍵詞：維克多·謝閣蘭 | Stèles 古今碑錄 1912 | 北堂（北堂出版社） | 北堂天主教堂（北京）
該書索引：
維克多·謝閣蘭。Stèles 古今碑錄。北堂出版社（北京北堂天主教堂），北京，1912。
Victor Segalen
Stèles 古今碑錄
Pei-t'ang Press (The Pei-t'ang Cathedral), Pékin, Chine. 1912.
Keywords: Victor Segalen | Stèles | Pei-t'ang , Pékin, Chine
Keywords Plus: Stèles 1912 | Stèles 1914 | Stèles 古今碑錄 | Pei-t'ang Press | The Pei-t'ang Cathedral, Pékin
Citation of this book (The 1st Editon):
Victor Segalen. Stèles 古今碑錄. Pei-t'ang Press (The Pei-t'ang Cathedral), Pékin, Chine. 1912.
Victor Segalen. Stèles 古今碑錄. Beitang Press (The Beitang Cathedral), Beijing, China. 1912.
03.
法國國家圖書館收藏的維克多·謝閣蘭的醫學博士論文
關鍵詞：維克多·謝閣蘭 | 醫學博士論文 | 波爾多醫藥學院 | 波爾多海軍衛校 | 法國國家圖書館。
Doctoral Dissertation of Victor-Joseph-Ambroise-Désiré Ségalen (Victor Segalen). (1901-1902)
Faculté de médecine et de pharmacie de Bordeaux, 1902.
École de Santé Navale de Bordeaux, 1898 – 1902
Keywords: Victor-Joseph-Ambroise-Désiré Ségalen (1878 – 1919) | L'observation médicale chez les écrivains naturalists (thèse pour le doctorat en medicine), 1902 | Faculté de médecine et de pharmacie de Bordeaux | École de Santé Navale de Bordeaux | Bibliothèque nationale de France (BNF) | Gallica (BNF) | Paris | France
Bibliothèque nationale de France (BNF)
www.bnf.fr
gallica.bnf.fr
Citation of Reference 3:
Victor-Joseph-Ambroise-Désiré Ségalen (1878 – 1919). L'observation médicale chez les écrivains naturalists: thèse pour le doctorat en médecine, présentée et soutenue publiquement le 29/01/1902. Éditeur: Y. Cadoret (Bordeaux). Faculté de Médecine et de Pharmacie de Bordeaux, 1902. File Source: Bibliothèque nationale de France (BNF), département Réserve des livres rares, RES-P-Z-2782.［Identifiant: ark:/12148/bpt6k106376f］Paris, FRANCE.
Links ( © BNF):
Abs | Cover Page | FullTXT | Bibliothèque nationale de France (BNF) | Gallica with BNF
Permalien sur ce document: gallica.bnf.fr/ark:/12148/bpt6k106376f
Permalien sur cette page: gallica.bnf.fr/ark:/12148/bpt6k106376f.image.f1
© Tous droits réservés Bibliothèque Nationale de France (BNF), France
04.
現在波爾多第二大學以維克多·謝閣蘭的名字命名。
關鍵詞：維克多·謝閣蘭 | 波爾多醫藥學院 | 波爾多海軍衛校 | 波爾多第二大學 | 波爾多
Faculté de médecine et de pharmacie de Bordeaux
École de Santé Navale de Bordeaux
Université Bordeaux-II
Université Victor Segalen Bordeaux II
Keywords: Victor-Joseph-Ambroise-Désiré Ségalen (Victor Segalen, 1878 –1919) | Faculté de médecine et de pharmacie de Bordeaux | École de Santé Navale de Bordeaux | Université Bordeaux-II | Bordeaux | France
Random Notes: La célèbre école de "Santé navale" transférée de Bordeaux à Lyon. (AFP) – 24 juil. 2008 | Link
05.
1919年5月21日，維克多·謝閣蘭在郁勒郭森林（Huelgoat）意外離世，或自殤。
關鍵詞：維克多·謝閣蘭 | Huelgoat
維克多·謝閣蘭的最后時光
And call it accident...
Citation of Reference 5:
Christian RÉGNIER. Victor Segalen: Médecin, Voyageur, Archéologue, Visionnaire et Poète. Medicographia. 27 (2), 188-199 (2005).
Links (© Medicographia with LES LABORATOIRES SERVIER):
www.medicographia.org | HTML | PDF
Christian RÉGNIER. A Touch of France: Victor Segalen, physician, voyager, archeologist, visionary, and poet. Medicographia. 27 (2), 188-199 (2005). Medicographia. 27 (2), 188-199 (2005).
Links (© Medicographia with LES LABORATOIRES SERVIER):
www.medicographia.org | HTML | PDF
Christian RÉGNIER, MD
Praticien Attaché des Hôpitaux de Paris
Société Internationale d'Histoire de la Médecine
9, rue Bachaumont 75002 Paris, FRANCE
(e-mail: dr.christian.regnier@wanadoo.fr)
Excerpt
Last paragraph of the article:
Christian RÉGNIER. Victor Segalen: Médecin, Voyageur, Archéologue, Visionnaire et Poète. Medicographia. 27 (2), 188-199 (2005).
© Medicographia with LES LABORATOIRES SERVIER.
www.medicographia.org
The ultimate voyage
Christian RÉGNIER
Segalen left China for good early in 1918, having “sucked the sap, which everywhere else has dried up, and whose roots date back four thousand years.” He disembarked in Marseille in March 1918, in very poor physical condition. He went on to Paris for two months to acquire a specialist’s degree in medicine, and in September and October returned to Brest at the naval hospital to manage the Spanish flu epidemic, which he himself caught. Segalen ran a hospital department and noted: “we share the work, I have sixty patients today of whom ten will be dead tomorrow, but which ten? [...] and tomorrow fifty more are scheduled.” [3]
Overworked and extremely affected by the deaths of de Chavannes on January 29, and Debussy on March 25, and suffering from the consequences of having stopped smoking opium, of which he had been an addict since his naval medical school years, Segalen grew increasingly neurasthenic. He had to stop all his activities on November 12, and was hospitalized for an acute worsening of his condition in January 1919, at the Val-de-Grâce Military Hospital in Paris. He then traveled to Algeria, to spend two months of convalescence in the house of a friend—to no avail. On April 21, 1919, Segalen wrote a letter to his friend Jean Lartigue that included this self-diagnosis:
In case the thought crossed your mind, I can assure you that opium is absolutely not responsible [...] my increasing exhaustion corresponds to a year I spent by myself in the Far East, and the amount of work I brought back with me is good evidence. I can assure you that from my departure in December 1916, until Hanoi in August 1917, my smoking was practically nil. Thereafter, it was very minor, and spread over only a few weeks. Since then, there is nothing that you do not know about. In Algiers, I kept clear, despite offers. So we must look elsewhere. Syphilis, no. Tuberculosis, no. Anemia, no. Malaria, no. Recently, the very thorough examination by Dr March’adour and Dr Delahet gave me a clean bill of health. Thus I do not have any known detectable disease. And yet, it is as if I were seriously ill. I do not weigh myself any longer. I do not take any medicines. I simply note that life is slowly abandoning me. You can see that it is not a matter of opinion but a fact. [3,4,10]
He returned home to Brittany. On May 21, 1919, Segalen told his wife he was going out for a walk in the forest of Huelgoat. Two days later, she found him mortally wounded, bloodied, with an injury to his leg and a makeshift tourniquet—a last, unfortunately ineffectual, reflex of his medical training... His death was very probably caused by a sharp, cut-off sapling—though suicide has never been entirely ruled out. [16] A book of Shakespeare's plays lay at his side, opened at act IV, scene 7 of Hamlet, where the King says:
To thine own peace. If he be now return'd—
As checking at his voyage, and that he means
No more to undertake it,—I will work him
To exploit, now ripe in my device,
Under the which he shall not choose but fall:
And for his death no wind shall breathe;
But even his mother shall uncharged the practice
And call it accident.
References of this excerpt (The ultimate voyage, par Christian RÉGNIER)
Christian RÉGNIER. Victor Segalen: Médecin, Voyageur, Archéologue, Visionnaire et Poète. Medicographia. 27 (2), 188-199 (2005).
[03] Pochan Y. Victor Segalen, médecin de marine. In: Berne M. Victor Segalen, Voyageur et Visionnaire, Paris, France: Bibliothèque Nationale de France; 1999.
[04] Grandjean X. Victor Segalen (1878-1919), le Cycle du Médecin de la Marine. Nantes, France: Medical Thesis; 1986.
[10] Fougeaud-Laville C. Segalen ou l'Expérience des Limites. Paris, France: L'Harmattan; 2002.
[16] Mabin D. La mort de Victor Segalen. In: Dollé M, Doumet C. Victor Segalen. Paris, France: L'Herne; 1998.
Supplement Notes of Reference 5
S5.1
葉汝璉：據說，不是自盡，……
葉汝璉（1924年1月3日-2007年8月28日）。謝閣蘭——東方古老文明的探索者。* 葉汝璉先生，武漢大學法語教授，詩人，學者。來源：中法文化之旅。| 全文
……1917年返國之前，就是說在第一次大戰後期，主動受命在北京籌建法國漢學研究所，奔走於巴黎，因而積勞成疾，終遭不測。據說，不是自盡，恐怕也是勤奮過度以致身心交瘁、死于故居密林中樹蔭之下(1919)，手中還握住莎士比亞的【哈姆萊持】。| 全文
Citation of Reference 5-S5.1:
Une brève biographie de Victor Segalen,
par Julien YEH (Rulian YE, 3/01/1924-28/08/2007).
Source: Les Échanges Culturels Sino-Français. | Link
S5.2
又參閱文獻［1］
Also notes reference herein [1]: Biographical records of Victor Segalen.
Victor-Joseph-Ambroise-Désiré Ségalen,
né le 14 janvier 1878 à Brest - mort au Huelgoat le 21 mai 1919.
Biographical records of Victor Segalen. SGA/Mémoire des hommes. Ministère de la Défense, France. | Image .
© Tous droits réservés Ministère de la Défense, France.
06.
維克多·謝閣蘭的中國考察（1909 – 1914, 1917）
1893-1923年，幾位法國人的中國考察
愛德華·沙畹（Édouard CHAVANNES，1865 – 1918）
伯希和（保羅·伯嵺德）（Paul PELLIOT，1878 – 1945）
維克多·謝閣蘭（Victor SEGALEN，1878 – 1919）
奧古斯都·吉爾伯特-德-瓦桑（Augusto GILBERT de VOISINS，1877 – 1939）
亨利·麥斯帕爾（Henri MASPERO，1882 – 1945）
讓·勒迪歸（Jean LARTIGUE，1886 – 1940）
1893年中國考察，愛德華·沙畹。
1900年中國考察，伯希和（保羅·伯嵺德）。
1901年中國考察，伯希和（保羅·伯嵺德）。
1902年中國考察，伯希和（保羅·伯嵺德）。
1906 – 1909年中國考察，伯希和（保羅·伯嵺德）。
1907年中國考察，愛德華·沙畹。
1909 – 1914年中國考察，維克多·謝閣蘭。
1909年中國考察，維克多·謝閣蘭 – 奧古斯都·吉爾伯特-德-瓦桑。
1914年中國考察，亨利·麥斯帕爾。
1914年中國考察，維克多·謝閣蘭 – 奧古斯都·吉爾伯特-德-瓦桑 – 讓·勒迪歸。
1917年中國考察，維克多·謝閣蘭。
1923年中國考察，讓·勒迪歸。
Missions archéologiques françaises en Chine (1893 - 1923)
Édouard CHAVANNES (1865 – 1918).
Paul PELLIOT (1878 – 1945).
Victor SEGALEN (1878 – 1919).
Augusto GILBERT de VOISINS (1877 – 1939).
Henri MASPERO (1882 – 1945).
Jean LARTIGUE (1886 – 1940).
Missions:
1893 mission Édouard CHAVANNES.
1900 mission Paul PELLIOT.
1901 mission Paul PELLIOT.
1902 mission Paul PELLIOT.
1906 – 1909 mission Paul PELLIOT.
1907 mission Édouard CHAVANNES.
1909 – 1914 mission Victor SEGALEN.
1909 mission Victor SEGALEN - Augusto GILBERT de VOISINS.
1914 mission Henri Maspero.
1914 mission Victor SEGALEN - Augusto GILBERT de VOISINS - Jean LARTIGUE.
1917 mission Victor SEGALEN.
1923 mission Jean LARTIGUE.
Archives Photographiques © Bibliothèque nationale de France
www.bnf.fr
© Paris, musée Guimet
www.guimet.fr
1906 – 1909, la mission Paul PELLIOT
BNF \ le pavillon des lettrés \ la mission Pelliot
Archives Photographiques © Paris, musée Guimet
Links: Abs |
Mission Edouard Chavannes,1907
Mission Henri Maspero, 1914
Mission Segalen, de Voisins, Lartigue, 1914
Mission Victor Segalen, 1917
Mission Jean Lartigue, 1923
07.
維克多·謝閣蘭的散文詩集【Stèles古今碑錄】最有價值的現代注釋版本。
Timothy Billings 和 Christopher Bush 對維克多·謝閣蘭在【Stèles古今碑錄】每一首詩前所摘錄的一句話中國古籍經典語錄的最原始來源進行了詳細考證。就我個人的閱歷而言，基本上不會有比他們二人的考證做得更好了。也正是這本注釋本，使我差不多能全方位地體會到謝閣蘭 Stèles 創作背后的“幾乎一切”的思考。
A New Critical Edition: Stèles 古今碑錄 2007
Timothy Billings and Christopher Bush
Wesleyan University Press (2007)
www.steles.org
© 2007 Timothy Billings and Christopher Bush
Keywords: Victor Segalen. Stèles 古今碑錄, 1914 Beijing edition | A New Critical Edition: Stèles 古今碑錄 2007 | Timothy Billings | Christopher Bush | Wesleyan University Press (2007) | www.steles.org
7.1
Victor Segalen. Stèles 古今碑錄. Volume 1. Translated, edited, and annotated by Timothy Billings (Middlebury University) and Christopher Bush (Northwestern University), with a foreword by Haun Saussy (Yale University), is published in a print edition by Wesleyan University Press (2007), ISBN 0-8195-6833-5 cloth, 0-8195-6832-8 paper.
Links:
www.steles.org/Volume1.html
Published by Wesleyan University Press, Middletown, CT 06459
www.wesleyan.edu/wespress
© 2007 Timothy Billings and Christopher Bush. © Wesleyan University Press
7.2
Victor Segalen. Stèles 古今碑錄. Volume 2. Chinese Sources and Contexts. Translated, edited, and annotated by Timothy Billings and Christopher Bush. Wesleyan University Press, 2007.
The complete text of the poems from the original 1914 Beijing edition of Stèles 古今碑錄, by Victor Segalen, is available for download below.
Links (© 2007 Timothy Billings and Christopher Bush): | PDF
www.steles.org/Volume2.html
www.wesleyan.edu/wespress/segalen2
Contents
Preface to Volume 2 v
Acknowledgments vii
1. Chinese Sources and Contexts for Steles 1
2. Unpublished Steles 155
3. Critical Notes and Chinese Sources and Contexts for Unpublished Steles 189
4. Segalen’s Draft of “To the Scholars of the Extreme Occident” 211
5. Dates of Composition and Revision 219
Bibliography 233
Sources of the books:
1. Victor Segalen. Stèles 古今碑錄. Volume 1. Translated, edited, and annotated by Timothy Billings and Christopher Bush.Wesleyan University Press, 2007.
Volume 1 is available at: Wesleyan University Press｜Barnes and Noble｜Amazon.com｜Amazon.ca｜Amazon.fr｜Amazon.co.uk
456 pages, 124 photos.
ISBN: 0819568325, Paperback. ISBN: 0819568333, Cloth.
2. Victor Segalen. Stèles 古今碑錄. Volume 2. Chinese Sources and Contexts. Translated, edited, and annotated by Timothy Billings and Christopher Bush. Wesleyan University Press, 2007.
The complete text of the poems from the original 1914 Beijing edition of Stèles / 古今碑錄, by Victor Segalen, is available for download below….
Volume 2 is freely available at: www.steles.org and at www.wesleyan.edu/wespress/segalen2.html.
www.steles.org/Volume2.html
Endnotes by National History for Reference 7.2:
A notes by Timothy Billings and Christopher Bush, "the original 1914 Beijing edition of Stèles / 古今碑錄", is misleading for the word "original". The first editon of Stèles was published by the Beitang Press (The Beitang Cathedral, Beijing) in 1912. See Reference 2 herein.
Victor Segalen. Stèles 古今碑錄. Pei-t'ang Press (The Pei-t'ang Cathedral), Pékin, Chine. 1912.
Victor Segalen. Stèles 古今碑錄. Beitang Press (The Beitang Cathedral), Beijing, China. 1912.
08.
維克多·謝閣蘭的散文詩集【Stèles 古今碑錄】
www.segalen.net
Victor Segalen. Stèles 古今碑錄, Beijing edition | L'édition originale des Stèles, 1912. Stèles est un recueil de poèmes en prose, publié par Victor Segalen en 1912 à Pékin｜www.steles.net
Repères biographiques
Bibliographie
Présentation de l'ouvrage
Texte intégral
L'édition originale des Stèles, 1912.
Stèles est un recueil de poèmes en prose, publié par Victor Segalen en 1912 à Pékin.
Ces Stèles sont dédiées en homage à Paul Claudel. --V.S.
09.
維克多·謝閣蘭的部分著作目錄。
Works
A dreuz an Arvor (1899)
L'observation médicale chez les écrivains naturalistes (Thesis, 1902. École de Santé Navale de Bordeaux, 1898 – 1902)
Les Immémoriaux (遠古人under the pseudonym Max Anély) (1907)
Stèles (古今碑錄, 1912年，北京首發)
Peintures (1916)
Posthumous publications
Orphée-Roi (奥尔菲王1921)
René Leӱs (勒内·莱斯1922)
Mission archéologique en Chine (in collaboration with Gilbert de Voisins and Jean Lartigue) (1923 – 1924)
Équipée. De Pékin aux marches thibétaines (出征1929)
Voyage au pays du réel (1929)
Lettres de Chine (1967)
Chine. La Grande Statuaire chinoise (1972)
Journal des îles (1978)
Le Fils du ciel: chronique des jours souverains (天子1985)
10.
1979年，法國發行了謝閣蘭誕辰一百周年紀念郵票。
Victor Segalen 1879 – 1919 | Centième anniversaire de sa naissance, 1979 | France
| Link
Image Source: www.phil-ouest.com
Victor Segalen
1879 – 1919
Médecin Navalais, écrivain et poète,
né à Brest en 1878, mort à Huelgoat en 1919.
1979
Centième anniversaire de sa naissance
Oblitération spéciale 1er jour à Brest et Paris le 20 janvier 1979
France
Dessiné et gravé par Claude Andreotto
Le navire à gauche représente l'Aviso «Durance»
11.
法國積美博物館（Musée Guimet）關于謝閣蘭的簡介。CN | FR | EN
秦始皇陵。法國積美博物館。
www.guimet.fr/article470,470
© Paris, musée Guimet
1909年他動身去“我的首都”北京，居住四年多後，1914年因一次大戰爆發返法。……謝閣蘭在這次與愛德華·沙畹（Édouard CHAVANNES, 1865 – 1918年）合作的考察中除留下筆記外，還有速描和一些大型雕塑的照片，透過他在光線和取景顯出的天賦，使其成為中華帝國末世中最具才華的攝影家。中國在他的眼裡變成：“和諧差異之典範，世界多樣化之縮影”。
Tumulus du premier empereur Qin shihuang. Paris, musée Guimet.
www.guimet.fr/Tumulus-du-premier-empereur-Qin
© Paris, musée Guimet
...
En 1909, il partira pour Pékin « ma capitale » où il séjournera plus de quatre ans avant de rentrer en France en 1914 à cause de la première guerre mondiale. ...
Pendant cette expédition qu'il mène en association avec Edouard Chavannes (1865 – 1918), l'auteur ajoute à ses notes écrites des croquis et des prises de vues de statues monumentales avec un sens inné des cadrages et des éclairages qui hisse Segalen au rang de photographe le plus talentueux de cette Chine impériale finissante. L'empire du milieu devient à ses yeux « Le pays exemplaire de la différence harmonieuse, un abrégé de la diversité du monde ».
The Mausoleum of the first Emperor, Qin shihuang. Paris, musée Guimet.
www.guimet.fr/The-Mausoleum-of-the-first-Emperor
© Paris, musée Guimet
...
In 1909, he set out for Peking he called it "my capital" and spent more than four years there before returning to France in 1914 at the outbreak of war. ...
In the course of the expedition, which he led along with Edouard Chavannes (1865 – 1918), Segalen complemented his written notes with sketches and photographs of monumental statuary. Revealing an innate sense of composition and lighting, he ranks as the most talented photographer of the twilight period of Imperial China. In his eyes, the Middle Kingdom became "the country that epitomizes harmonious difference, the diversity of the world in a nutshell...". ...
Archives Photographiques © Paris, musée Guimet
Links: Abs |
Mission Segalen, de Voisins, Lartigue, 1914
Mission Victor Segalen, 1917
Mission Jean Lartigue, 1923
12.
愛德華·沙畹（Édouard CHAVANNES, 1865 – 1918年）。
又參閱本文參考文獻［06］。
Mission Edouard CHAVANNES,1907.
Archives Photographiques © Paris, musée Guimet
Links: Abs |
Mission Edouard Chavannes,1907
13.
維克多·謝閣蘭（Victor Segalen, 1878 – 1919）的1909 – 1914 與1917年中國之行留下了大量人文紀實與考古照片［13.1-2］。在此期間他陸續寫成【Stèles古今碑錄】和其它關于中國的筆記、小說、論文。他對中國歷代的皇陵雕塑進行了記錄并寫作了Chine. La Grande Statuaire chinoise ［13.2］，別有個人視角的趣味——雖然這本論著遠非完備與科學水準。他關注的皇陵如陜西臨潼秦始皇陵、西安唐歷代皇陵、北京明十三陵、南京六朝皇陵遺跡等。他拍攝了大量照片，許多照片的選景、構圖及之于其作者所希望承載的文化歷史內涵的思考是大師級的，說明他并非“到此一游”而實為“按圖索驥”，行前做足了功課。當然，1914年的中國考察，奧古斯都·吉爾伯特-德-瓦桑（Augusto GILBERT de VOISINS，1877 – 1939）和讓·勒迪歸（Jean LARTIGUE，1886 – 1940）也參與拍攝了大量照片［13.1］。
維克多·謝閣蘭的幾次中國考察：
1909 – 1914年中國考察，維克多·謝閣蘭。
1909年中國考察，維克多·謝閣蘭 – 奧古斯都·吉爾伯特-德-瓦桑。
1914年中國考察，維克多·謝閣蘭 – 奧古斯都·吉爾伯特-德-瓦桑 – 讓·勒迪歸。
1917年中國考察，維克多·謝閣蘭。
又參閱本文參考文獻［02］、［06-08］和［15］。
missions Victor SEGALEN (1909 – 1914, 1917):
Victor SEGALEN (1878 – 1919).
Augusto GILBERT de VOISINS (1877 – 1939).
Jean LARTIGUE (1886 – 1940).
1909 – 1914 mission Victor SEGALEN.
1909 mission Victor SEGALEN - Augusto GILBERT de VOISINS.
1914 mission Victor SEGALEN - Augusto GILBERT de VOISINS - Jean LARTIGUE.
1917 mission Victor SEGALEN.
Cited book of Reference 13
13.1
13.2
Victor SEGALEN (1878 – 1919). Chine. La grande statuaire, et Les origines de la statuaire en Chine. Collections Bouquins, Editions Robert Laffont, Paris, 1995, 121 et 24 pages. Voir la sous-collection CHINE ANCIENNE éalisée par M. Pierre Palpant, bénévole, Paris.
DOI: 10.1522/cla.sev.chi
Links: HTML | CrossRef
Un document produit en version numérique par M. Pierre Palpant,
collaborateur bénévole
Courriel : pierre.palpant@laposte.net
Dans le cadre de la collection : "Les classiques des sciences sociales"
dirigée et fondée par Jean-Marie Tremblay,
professeur de sociologie au Cégep de Chicoutimi
Une collection développée en collaboration avec la Bibliothèque
Paul-Émile-Boulet de l'Université du Québec à Chicoutimi
Also see References 2, 6-8 and 15 herein.
14.
1909年，維克多·謝閣蘭到達北京。
Notation par Bertrand Gallimard-Flavigny:
"Enfin, Pékin, ma ville", devait-il écrire dans sa première lettre de la capitale.
"Anyway, Pékin, my city", he had written in his first letter from the capital.
"總之，北京，我的城市", ...--Tr. par Lin PU (en. cn) .
Excerpt
First paragraph of the article Victor Segalen by Bertrand Gallimard-Flavigny.
Link (© Bertrand Gallimard-Flavigny): FullTXT
Victor Segalen: Entre le réel et l'imaginaire
par Bertrand Gallimard-Flavigny
L'une des photographies les plus connues de Victor Segalen est celle qui le représente, en 1910, dans son bureau à Pékin. Tous les objets déposés sur le bureau sont chinois. Un chameau T'ang, une cloche de pagode, un vase Ming côtoient une stèle (en soie) "tombant du plafond au plancher", une estampe..."J'habite une chambre aux porcelaines, un palais dur et brillant où l'imaginaire se plaît", écrivait-il dans dans Equipée. Amateur d'art, collectionneur et conservateur, Segalen est d'abord attaché à la Chine. "Enfin, Pékin, ma ville", devait-il écrire dans sa première lettre de la capitale. Devenu écrivain, Segalen n'a pourtant jamais oublié qu'il était médecin. De Papeete en Chine et en Bretagne, il exerça son art, souvent avec courage. En 1911, il fut envoyé sur sa demande à Shanhaiguan pour combattre une épidémie de peste qui fera cinquante mille morts. Il enseigna ensuite la physiologie à l'école de médecine chinoise.
Also notes Reference 11 herein:
En 1909, il partira pour Pékin « ma capitale »...
In 1909, he set out for Peking he called it "my capital" ...
15.
維克多·謝閣蘭（Victor Segalen, 1878 – 1919）散文詩集【Stèles（古今碑錄）】第63首詩【CHAR EMPORTÉ／駧駧牡馬在垌之野】。
注意：謝閣蘭使用的詩經文本是“駧駧牡馬在垌之野”而非“駉駉牡馬在坰之野”！請參閱本文注釋［16-18］。
Excerpt of Stèles
Reference 7 herein: www.steles.org
© 2007 Timothy Billings and Christopher Bush
7.1
Victor Segalen. Stèles 古今碑錄. Volume 1. Translated, edited, and annotated by Timothy Billings and Christopher Bush. Wesleyan University Press, 2007. ISBN 0-8195-6833-5 cloth, 0-8195-6832-8 paper.
Links
www.steles.org/Volume1.html
Published by Wesleyan University Press, Middletown, CT 06459
www.wesleyan.edu/wespress
© 2007 Timothy Billings and Christopher Bush. © Wesleyan University Press
7.2
Victor Segalen. Stèles 古今碑錄. Volume 2. Chinese Sources and Contexts. Translated, edited, and annotated by Timothy Billings and Christopher Bush. Wesleyan University Press, 2007.
Links (© 2007 Timothy Billings and Christopher Bush):
www.steles.org/Volume2.html
www.wesleyan.edu/wespress/segalen2
CHAR EMPORTÉ
駉駉牡馬，在坰之野。
Runaway Charior (* Tr. byTimothy Billings and Christopher Bush. Reference 7)
Victor Segalen
Tianjing, Chine, 1911 (**)
Text source 1: www.steles.org
Text source 2: www.steles.net
* Index number of the peom by Timothy Billings and Christopher Bush: S63.
** Timeline of S63 CHAR EMPORTÉ (p224, Reference 7.2 herein):
S63 CHAR EMPORTÉ: Five versions: one dated 3 September 1911 (Tianjin), another 2 October 1911 (Tianjin), and a third both 2 September 1911 (Tianjin) and 3 October 1911.
S63
CHAR EMPORTÉ
Que le sage seigneur de Lou dénombre
ses chevaux avec orgueil ;
ils sont gras et ronds dans la plaine :
les uns jaunes, les uns noirs, les autres noir et jaune.
À son gré il les attelle, les accouple, les quadruple et
les mène où il veut avec sécurité.
o
Je suis mené par mes pensées, cavales sans mors, --
une à une, deux à deux, quatre à quatre,
tirant mon char incessant.
Belles cavales de toutes les couleurs :
celle-ci pourpre et aubère-rose,
cette autre noir-pâle avec les sabots cuivrés.
Je ne les touche point.
Je ne les conduis pas :
la vitesse élancée me détourne de voir avant.
o
Quel éperdu dans ma course à rebours !
Sans lampe ni rênes, roulant d'un fond à l'autre
des ténèbres seulement cinglées d'éclats
des sabots choqués !
Je sais pourtant les pistes familières,
le lieu où la Rouge hennit, où la Maigre bute et
se couronne ; la fourche où l'attelage hésite et
le mur que tout vient frapper du front.
Sous mes doigts caressant la pierre aimante,
fidèle au Midi, je garde le sens de la lumière.
o
Ha ! les foulées doublent et la vitesse et le vent.
L'espace fou siffle à ma rencontre ;
l'essieu brûle, le timon cabre, les rayons brillent en
feu d'étoiles :
Je franchis les Marches d'Empire :
je touche aux confins, aux passes ;
je roule chez les tributaires inconnus.
Aux coups de reins se marque le relais :
la bête qui m'emporte a le galop doux,
la peau écailleuse et nacrée,
le front aigu, les yeux pleins de ciel et de larmes :
La Licorne me traîne je ne sais plus où.
Bramant de vertige, je m'abandonne.
Qu'ils descendent au loin sous l'horizon fini les
chevaux courts et gras du sage seigneur
Mâ, duc de Lou.
Notes on S63 by Timothy Billings and Christopher Bush
© 2007 Timothy Billings and Christopher Bush
An excerpt of the book (Refernce 7.2):
Victor Segalen. Stèles. Volume 2. Chinese Sources and Contexts. Translated and edited by Timothy Billings and Christopher Bush. Wesleyan University Press, 2007.
Links (© 2007 Timothy Billings and Christopher Bush):
www.steles.org/Volume2.html
www.wesleyan.edu/wespress/segalen2
S63 Runaway Charior (CHAR EMPORTÉ)
駉駉牧馬在坰之野
The central trope of this stele is adapted from Ode 297 in the The Book of Odes 詩經, a very lyrical ode that consists of four nearly identical stanzas with only slight variations in diction. The epigraph is drawn from the opening lines (in bold), which are repeated in each stanza. The headnote in italics and first stanza from Couvreur’s edition read as follows:
僖 Xī, prince of Lu (659 - 626 ), extends his watchfulness over all branches of administration. He gives intelligent care to the raising of horses.
Fat and large are the horses in the plains near the frontiers. Among the fat and large horses, some are black with white legs, and others light yellow; others are black, and others are yellow. They are excellent for pulling carriages. The thoughts of the prince have a limitless reach; he thinks of his horses, and they are good.
僖 Hī, prince de Lou (659 –626 ), etend sa vigilance a toutes les branches de l'administration. Il donne des soins intelligents a l'elevage des chevaux.
Des chevaux grands et gras sont dans les plaines près des frontières. Parmi ces chevaux grands et gras, les uns sont noirs et ont les cuisses blanches, les autres sont jaune pales; d’autres sont noirs, d'autres sont jaunes. Pour trainer les voitures ils sont excellents. Les pensees du prince ont une etendue sans limite; il pense aux chevaux, et les chevaux sont bons.
駉駉牡馬，在坰之野。 詩 駉
薄言駉者，有驈有皇，有驪有黃，以車彭彭。
思無疆，思馬斯臧。(CK 445–446)
See the note to S42 in this volume for additional commentary on this stele. See also Legge, Chinese Classics, 2:611–613.
16.
維克多·謝閣蘭（Victor Segalen, 1878 – 1919）散文詩集【Stèles（古今碑錄）】第63首詩是【CHAR EMPORTÉ／駧駧牡馬在垌之野】。該詩題引的中國古典語錄來源于【詩經：魯頌·駧】首句。
文獻中通常把【詩經：魯頌·駧】首節末句“思無疆思馬斯臧”之“臧”字解釋為該字本義“善”，這樣看起來每節末句最后一字的用法更為對仗工整了。其實不妨把“臧”字解釋為其上古文字之本字“藏（收藏，所藏）”，這樣理解后，【駉】的詩意更為曠遠，也與末句“思無邪思馬斯徂”的意境遙相呼應。——這只是我個人的理解意愿，讀者可不以為意。或希望讀者注意到上古詩篇中，并非嚴格注重詞句的對仗。“臧”通“藏”的用法如“繁啟蕃長於春夏，畜積收臧於秋冬（【荀子·天論】）”。
特別注釋：詩經【駧】文本校訂。參閱本文參考文獻［18］。
校注文本來源之一：〔清〕阮元（校刻）之十三經注疏之毛詩正義。
Text Source 1:
[The classical Editon]
Shi San Jing Zhu Shu (Thirteen Classics with Explanatory Annotations).
Book III. Mao Shi Zheng Yi (The Book of Poetry with MAO's Annotations).
edited, annotated and printed by Yuan RUAN (Qing Dynasty).
[Modern Editon]
Shi San Jing Zhu Shu (Thirteen Classics with Explanatory Annotations),
edited, annotated and printed by Yuan RUAN (Qing Dynasty). Reprinted by Zhong Hua Shu Ju ( The Zhonghua Press), Beijing, 1980.
in Book III. Mao Shi Zheng Yi (The Book of Poetry with MAO's Annotations). pp.608-610
詩經 魯頌 駉
文本圖片制作：國家歷史
掃描圖片來源：十三經注疏。（清）阮元 校刻。中華書局，北京，1980年。
國家歷史致謝：中華書局
詩經：魯頌·駉
史克
原始文本來源：毛詩。
校注文本來源：十三經注疏之毛詩正義，阮元（校刻），清嘉慶二十年至二十一年。阮元校刻所依據的原始版本為“宋本十三經注疏”。本文參校的是該書中華書局（北京）1980年版。
這一經典古籍的索引格式如下：
十三經注疏。毛詩正義。附釋音毛詩注疏卷第二十〔二十之一〕。駉之什詁訓傳第二十九，毛詩魯頌。〔漢〕毛亨（傳），〔漢〕鄭玄（箋），〔唐〕孔穎達（疏）。〔清〕阮元（校刻），清嘉慶二十年至二十一年。
經
魯
頌
阮元（校刻）十三經注疏 毛詩正義
附釋音毛詩注疏卷第二十〔二十之一〕
駉之什詁訓傳第二十九
毛詩魯頌 鄭氏箋 孔穎達疏
魯頌譜
駉。頌僖公也。僖公能遵伯禽之法。儉以足用。寬以愛民。務農重榖。牧于坰野。魯人尊之。於是季孫行父請命于周。而史克作是頌。
駉駉牡馬，在坰之野。
薄言駉者？有驈有皇，有驪有黃，以車彭彭。
思無疆，思馬斯臧！
駉駉牡馬，在坰之野。
薄言駉者？有騅有駓，有騂有騏，以車伾伾。
思無期，思馬斯才！
駉駉牡馬，在坰之野。
薄言駉者？有驒有駱，有駵有雒，以車繹繹。
思無斁，思馬斯作！
駉駉牡馬，在坰之野。
薄言駉者？有駰有騢，有驔有魚，以車祛祛。
思無邪，思馬斯徂！
駉四章章八句
注釋：據【十三經注疏之毛詩正義】和其它一些史料記載，一般認為【詩經：魯頌 · 駉】的作者為史克，當然亦未可證。
十三經註疏
Shi San Jing Zhu Shu (Thirteen Classics with Explanatory Annotations).
edited, annotated and printed by Yuan RUAN (Qing Dynasty).
周易正義
尚書正義
毛詩正義
周禮註疏
儀禮註疏
禮記正義
春秋左傳正義
春秋公羊傳註疏
春秋穀梁傳註疏
孝經註疏
爾雅註疏
論語註疏
孟子註疏
詩經：魯頌·駉
Excerpt from the book:
THE CHINESE CLASSICS. Translated into English, with preliminary essays and explanatory notes (Revised and reproduced from the author's work containing the original text, &c.) by James Legge. in Vol. III, THE SHE KING (THE BOOK OF POETRY), Part IV. Odes Of The Temple And The Alter, Book II. The Praise-Odes Of LOO. pp. 373-375. London: Trübner & Co., 57 & 59, Ludgate Hill. 1876.
THE BOOK OF POETRY.
Translated into English, with preliminary essays and explanatory notes
by
James Legge
BK II. I.] THE BOOK OF POETRY [ pp.373 - 375
THE CHINESE CLASSICS
VOLUME III. THE BOOK OF POETRY
BOOK II. The Praise-Odes Of LOO
As the pieces of Book I. are called the Sung of Chow, so those of this Book are called the Sung of Loo. It is impossible, however, to render Sung by the same term or terms in both cases, for we have not in this Book " Sacrificial odes. "
Choo He says:--" King Ching, because of the great services rendered to the kingdom by the duke of Chow, granted to Pih-k'in [the duke's eldest son, and the first marquis of Loo,] the privilege of using the royal ceremonies and music, in consequence of which Loo had its Sung, which were sung to the music in its ancestral temples. Afterwards they made in Loo other odes in praise of their rulers, which they also called Sung." In this way it is endeavoured to account for there being such pieces as the four in this Book in this Part of the She. Confucius found them, we are to suppose, in Loo, bearing the name of Sung; and it was not for him to do otherwise than simply edit them as he did, and he thereby did not commit himself to anything like an approval of their designation. This is, perhaps, the best explanation of the name that can be given; but it is not complimentary to the discrimination of the sage.
It has often been asked why there are no Fung of Loo in the 1st Part. The question cannot be answered further than by saying that the pieces of this Book are really Fung; but as they were wantonly called Sung, we have them introduced here instead of being inserted in their proper place.
Loo was one of the States of the east, having its capital in K'ëuh-fow, which is still the name of one of the districts in the department of Yen- chow, Shan-tung. Choo says that king Ching appointed the duke of Chow's eldest son directly to it. Sze-ma Ts'ëen's account is rather different :-- that the duke of Chow was himself appointed marquis of Loo, but that, being unable to go there himself in consequence of his duties at the court, he sent his eldest son instead; and that the territory was largely augmented after the termination of his regency, though he still continued to remain at court.
I.
The Këung; narrative. CELEBRATING SOME MARQUIS OF LOO FOR HIS CONSTANT AND ADMIRABLE THOUGHTFULNESS, ESPECIALLY AS SEEN IN THE NUMBER AND QUALITY OF HIS HORSES.
The Preface says that the marquis was Shin, known as duke He ( B.C. 658 – 626). It refers, indeed, all the four pieces of the Book to him ; but it is only the fourth, of which it can be said with certainty that it belonged to his time.
Confucius, in the Analects, II. ii., says, " In the Book of Poetry are three hundred pieces, but the design of all of them may be embraced in that one sentence ; --' Have no depraved thoughts.' " " That one sen- tence " is the last line but one in this piece, the declaration about the marquis who is celebrated being given by the sage as if it were a general imperative injunction. That the sage should have selected a sentence from such a piece as this to convey his own idea as to the scope and tendency of all these ancient poems is surprising. It is only less so, and it is peculiarly Chinese, that this characteristic of the prince should be referred to as the cause of the serviceableness of his horses.
1 On the wide plains , our frontiers near ,
The stallions , sleek and large , appear .
There , sleek and large , they meet our sight ;
Some black , with their hind-quarters white ;
Pale yellow , some ; some black ; some bay : --
For carriage teams good horses they !
To the duke's thoughts we can assign no bound ;
Turned to his steeds, lo ! thus good are they found !
2 On the wide plains , our frontiers near ,
The stallions , sleek and large , appear .
There , sleek and large , are seen ;
Some piebald , -- white and flushed with green ,
And others white , with yellow sheen ;
Some chestnuts ; and some dapple gray :--
For carriage teams strong horses they !
To the duke's thoughts no limit can we set ;
Turned to his steeds, such is the strength they get !
3 On the wide plains , our frontiers near ,
The stallions , sleek and large , appear .
Oh ! sleek and large , those sprightly males !
Some that appear as flecked with scales ;
Some black , with manes of spotless white ;
Some white or red , manes dark as night :--
In carriage yoked , obedient quite !
The duke's thoughts never cease and never tire ;
Turned to his steeds , lo ! thus they rule their fire !
4 On the wide plains , our frontiers near ,
The stallions , sleek and large, appear .
Oh ! sleek and large , those stallions bright !
Cream-coloured , some ; some , red and white ;
Some , with white hairy legs ; white eyes
Like those of fishes , some :-- men prize
Such horses , grand in strength and size !
His thoughts without depravity , our prince
Thinks of his steeds , and such powers they evince !
Notes by Lin Pu with National History:
1). Këung : Jiong. 駉
2). Confucius, in the Analects, II. ii., says, " In the Book of Poetry are three hundred pieces, but the design of all of them may be embraced in that one sentence ; --' Have no depraved thoughts.' " (思無邪)
子曰：「詩三百，一言以蔽之，曰‘思無邪’」。——論語·為政第二
3). From James Legge's translation and the word " Këung " that he used in the introduction, we deduced that his original Chinese reference was just that Shi San Jing Zheng Yi, which is the above-mentioned Text Source 1:
[The classical Editon]
Shi San Jing Zhu Shu (Thirteen Classics with Explanatory Annotations).
Book III. Mao Shi Zheng Yi (The Book of Poetry with MAO's Annotations).
edited, annotated and printed by Yuan RUAN (Qing Dynasty).
Also see Reference 18 herein.
附注：孔子對詩經的評價
子曰：詩三百，一言以蔽之，曰思無邪
——論語·為政第二
子曰：「詩三百，一言以蔽之，曰‘思無邪’」。
子曰：始可與言詩已矣
——論語·學而第一
子貢曰：「貧而無諂，富而無驕，何如？」
子曰：「可也。未若貧而樂，富而好禮者也。」
子貢曰：「詩雲：‘如切如磋，如琢如磨’，其斯之謂與？」
子曰：「賜也，始可與言詩已矣。告諸往而知來者。」
子曰：始可與言詩已矣
——論語·八佾第三
子夏問曰：「‘巧笑倩兮，美目盼兮，素以為絢兮。’何謂也？」
子曰：「繪事後素。」
曰：「禮後乎？」
子曰：「起予者商也！始可與言詩已矣。」
子曰：興于詩，……
——論語·泰伯第八
子曰：興于詩，立于禮，成于樂。子曰：民可使由之，不可使知之。
子曰：不學詩，無以言！
——論語·季氏第十六
陳亢問於伯魚曰：「子亦有異聞乎？」
對曰：「未也。嘗獨立，鯉趨而過庭。曰：“學詩乎？”對曰：“未也”。“不學詩，無以言”！鯉退而學詩。他日，又獨立，鯉趨而過庭。曰：“學禮乎？”對曰：“未也”。“不學禮，無以立！”鯉退而學禮。聞斯二者。」
陳亢退而喜曰：「問一得三：聞詩，聞禮。又聞君子遠其子也。」
子曰：小子！何莫學夫詩？詩，可以興，可以觀，可以群，可以怨。……
——論語·陽貨第十七
子曰：「小子！何莫學夫詩？詩，可以興，可以觀，可以群，可以怨。邇之事父，遠之事君；多識於鳥獸草木之名。」
校注文本來源之二：伯希和敦煌寫卷第3737號。［17-18］
駧之什詁訓傳第廿九 毛詩魯頌 鄭氏笺
文本校訂依據來源：伯希和敦煌寫卷第3737號，法國國家圖書館（BNF）。
國家歷史致謝：法國國家圖書館（BNF）。
Reference Source:
Bibliothèque nationale de France, Département des manuscrits, Pelliot chinois 3737.
17.
伯希和敦煌考察
伯希和（保羅·伯嵺德）（Paul PELLIOT，1878 – 1945）
1900年中國考察，伯希和（保羅·伯嵺德）。
1901年中國考察，伯希和（保羅·伯嵺德）。
1902年中國考察，伯希和（保羅·伯嵺德）。
1906 – 1909年中國考察，伯希和（保羅·伯嵺德）。
* 另參閱本文文獻：［06］。
Missions archéologiques françaises en Chine
Paul PELLIOT (1878 – 1945).
1900 mission Paul PELLIOT.
1901 mission Paul PELLIOT.
1902 mission Paul PELLIOT.
1906 – 1909 mission Paul PELLIOT. (la mission en Touen-Houang, Chine)
Archives Photographiques © Bibliothèque nationale de France
www.bnf.fr
La mission en Touen-Houang, Chine
1906 – 1909, la mission Paul PELLIOT
BNF \ le pavillon des lettrés \ la mission Pelliot
Keywords: Paul PELLIOT | Touen-Houang (Dunhuang) 敦煌 | Chine | Gallica with BNF | France
Also see Reference 6 herein.
18.
經典古籍文本校訂：【詩經：魯頌 · 駧】，國家歷史2008版。
駧之什詁訓傳第廿九 毛詩魯頌 鄭氏箋
據法國國家圖書館所藏伯希和敦煌寫卷第3737號（Pelliot chinois 3737，BNF），我校訂了【詩經：魯頌 · 駧】的文本：
濮林。詩經文本校訂：駧。國家歷史，1 (9), nh20080903ap (2008)。
DOI: 10.3128/nh20080903ap｜Scidea.摘要｜Scidea.全文｜CrossRef 數據庫
伯希和敦煌寫卷第3737號：詩經 魯頌 駧
Pelliot chinois Touen-houang 3737.
SHE KING ( THE BOOK OF POETRY ): The Praise-Odes of LOO : Tung.
Text Validation by Lin PU with NATIONAL HISTORY, 2008.
Original source:
Paul PELLIOT ( 1878 - 1945 ).
La mission Paul PELLIOT en Touen-houang, Chine ( 1906 - 1909 ).
Pelliot chinois Touen-houang 3737.
Bibliothèque nationale de France.
bnf.fr
Citation of this article:
Lin PU. Text Validation of Shi Jing (The Book of Poetry): Dong. National History, 1 (9), nh20080903ap (2008).
DOI: 10.3128/nh20080903ap
Notes: Manuscript of " SHE KING : The Praise-Odes of LOO : Tung " had been found by Paul PELLIOT (1878 - 1945) in Touen-houang, CHINA. The translation of the poem's title is after that of James Legge, which has one different word of Tung. This major revision has been made in according to the manuscript ( Pelliot chinois Touen-houang 3737 ). And I deduced that this manuscript presented a rather original version of the poem, which was annotated by Xuan ZHENG ( 127 - 200 ). That is, the timeline of this version of SHE KING is ALMOST before the period of Yingda KONG ( 574 - 648 ).
附：
伯希和敦煌寫卷第3737號（Pelliot chinois 3737，BNF）文本釋文
詩經 魯頌 駧
注釋： 凡█處皆為伯希和敦煌寫卷第3737號（Pelliot chinois 3737）殘破處。
駧之什詁訓傳第廿九 毛詩魯頌 鄭氏箋
█。頌僖公也。僖公能遵伯禽之法。儉以足用。寬以愛民。務農重榖。牧乎垌野。魯人尊之。於是季行父請乎周。而史克作是頌也。
駧駧牧馬。在垌之野。薄言駧者。有驈有皇。有█有黃。以車彭彭。思無█。██斯臧。
駧駧牧馬。在垌之野。薄言駧█。████。███騏。以車伾伾。思無期。思馬斯才。
駧███。█垌之野。薄言駧者。有騨有駱。有███。以車繹繹。思無斁。思馬斯作。
駧駧牧馬。在垌之█。薄言駧者。有駰有█。有驔有魚。以車祛█。█無耶。思馬斯徂。
駧四章章八句
伯希和敦煌寫卷第3737號（Pelliot chinois 3737，BNF）文本校訂
詩經 魯頌 駧
注釋： 以【伯希和敦煌寫卷第3737號】確認字為藍本。該寫卷殘破處字以【阮元（校刻），十三經正義，毛詩正義】文本補備。
駧之什詁訓傳第廿九 毛詩魯頌 鄭氏箋
駧。頌僖公也。僖公能遵伯禽之法。儉以足用。寬以愛民。務農重榖。牧乎垌野。魯人尊之。於是季行父請乎周。而史克作是頌也。
駧駧牧馬。在垌之野。薄言駧者。有驈有皇。有驪有黃。以車彭彭。思無疆。思馬斯臧。
駧駧牧馬。在垌之野。薄言駧者。有騅有駓。有騂有騏。以車伾伾。思無期。思馬斯才。
駧駧牧馬。在垌之野。薄言駧者。有騨有駱。有駵有雒，以車繹繹。思無斁。思馬斯作。
駧駧牧馬。在垌之野。薄言駧者。有駰有騢。有驔有魚。以車祛祛。思無耶。思馬斯徂。
駧四章章八句
本文索引：nh20080903a1
主編筆記
濮林。維克多·謝閣蘭：思無疆，思馬斯臧。國家歷史，1（9），nh20080903a1 (2008)。
DOI: 10.3128/nh20080903a1｜Scidea.摘要｜Scidea.全文｜CrossRef 數據庫
□ 我不確知謝閣蘭何時說的『“我的首都”北京』，是1909年吧？但是因為 Timothy Billings 和 Christopher Bush 的注釋，我能揣測他心中的中國并得以沉思與他的沉思——“思無疆，思馬斯臧”……
國家歷史
2008年第09期 nh200809 | doi: 10.3128/nh200809
國際刊號_印刷版 ISSN: 1995-0632.
國際刊號_網絡版 EISSN: 1995-0977.
CrossRef 數據庫鏈接 DOI: 10.3128/nh2009
SCIDEA出版公司。南京。香港。
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电子邮件: Editor@ScideaNews.com
索引：【國家歷史】2008（第一卷）各期檔案
□【第01期目錄】□【第02期目錄】□【第03期目錄】□【第04期目錄】
□【第05期目錄】□【第06期目錄】□【第07期目錄】□【第08期目錄】
□【第09期目錄】□【第10期目錄】
Citation of this article: nh20080903a1
National History
Natl. Hist. | Volume 1, Issue 9, September 2008.
ISSN: 1995-0632 EISSN: 1995-0977
Editor in chief: Lin PU
Scidea Publishing, Nanjing & Hongkong, CHINA.
Editor's Notes, National History 2008
Lin PU. Victor SEGALEN (1878-1919): CHAR EMPORTÉ. National History, 1 (9), nh20080903a1 (2008). DOI: 10.3128/nh20080903a1
Article No: nh20080903a1 | Links: Scidea.Abs | Scidea.Full | CrossRef
Editor Notes (Main text is published in Chinese). " Enfin, Pékin, ma ville ", devait-il écrire dans sa première lettre de la capitale. --Notation par Bertrand Gallimard-Flavigny. " Anyway, Pékin, my city ", he had written in his first letter from the capital." 總之, 北京, 我的城市 ", ... --Tr. par Lin PU □ National History, Scidea Publishing. Nanjing. Hongkong. CHINA.
National History
Volume 1, Issue 9, September 2008.
ISSN: 1995-0632 EISSN: 1995-0977
Editor in chief: Lin PU
Scidea Publishing, Nanjing & Hongkong, CHINA.
Scidea.No: Journal: nh2008 | Issue: nh200809 | Article: nh20080903a1
DOI prefix of Scidea: 10.3128
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